Sept/Oct/Nov 2019 Sept/Oct/Nov 2019 Archive COLUMNS FEATURES Method to the Madness LIDIJA HAAS ON COREY ROBIN’S NEW STUDY OF CLARENCE THOMAS He Found It at the Movies A. S. HAMRAH ON HOW FILM INFORMED RONALD REAGAN’S WORLDVIEW Still Eating Animals CHARLOTTE SHANE ON JONATHAN SAFRAN FOER’S STRUGGLES TO SAVE THE PLANET COLUMNS TOM CARSON on how TV became president BOOKFORUM CONTRIBUTORS on this season’s outstanding art books LAUREN OYLER on Debbie Harry’s memoir NATALIE WALKER on Broadway’s most iconic leading lady FICTION GENE SEYMOUR: The Collected Novels of Charles Wright: The Messenger, The Wig, and Absolutely Nothing to Get Alarmed About JANE HU: Caleb Crain’s Overthrow JENNIFER KRASINSKI: Ingeborg Bachmann’s Malina JOANNE O’LEARY: Where the Light Falls: Selected Stories of Nancy Hale MARK GREIF: Ben Lerner’s The Topeka School CHRISTIAN LORENTZEN: Zadie Smith’s Grand Union ARTS & LETTERS CHLOE WYMA: Lubaina Himid: Work from Underneath ALBERT MOBILIO: Richard Diebenkorn: A Retrospective CHARLIE MARKBREITER: We Both Laughed in Pleasure: The Selected Diaries of Lou Sullivan, 1961–1991 SAM MCKINNISS: Peter McGough’s I’ve Seen the Future and I’m Not Going: The Art Scene and Downtown New York in the 1980s MEGHAN O’GIEBLYN: Leslie Jamison’s Make It Scream, Make It Burn RACHEL SYME: Natasha Stagg’s Sleeveless: Fashion, Image, Media, New York 2011–2019 SARAH RESNICK: Anne Boyer’s The Undying: Pain, Vulnerability, Mortality, Medicine, Art, Time, Dreams, Data, Exhaustion, Cancer, and Care SASHA FRERE-JONES: Jess Row’s White Flights: Race, Fiction, and the American Imagination MELISSA ANDERSON: Benjamin Moser’s Sontag: Her Life and Work CURRENT AFFAIRS & POLITICS ROBERT CHRISTGAU: Nicholas Lemann’s Transaction Man: The Rise of the Deal and the Decline of the American Dream JORDAN LARSON: Jenny Brown’s Birth Strike: The Hidden Fight over Women’s Work and Sophie Lewis’s Full Surrogacy Now: Feminism Against Family MICHAEL ROBBINS: Richard Preston’s Crisis in the Red Zone: The Story of the Deadliest Ebola Outbreak in History, and of the Outbreaks to Come and David Quammen’s Ebola: The Natural and Human History of a Deadly Virus MALCOLM HARRIS: Daniel Markovits’s The Meritocracy Trap: How America’s Foundational Myth Feeds Inequality, Dismantles the Middle Class, and Devours the Elite SUZY HANSEN: Suketu Mehta’s This Land Is Our Land: An Immigrant’s Manifesto TOBI HASLETT: Thomas Chatterton Williams’s Self-Portrait in Black and White: Unlearning Race
GENE SEYMOUR: The Collected Novels of Charles Wright: The Messenger, The Wig, and Absolutely Nothing to Get Alarmed About
SAM MCKINNISS: Peter McGough’s I’ve Seen the Future and I’m Not Going: The Art Scene and Downtown New York in the 1980s
SARAH RESNICK: Anne Boyer’s The Undying: Pain, Vulnerability, Mortality, Medicine, Art, Time, Dreams, Data, Exhaustion, Cancer, and Care
ROBERT CHRISTGAU: Nicholas Lemann’s Transaction Man: The Rise of the Deal and the Decline of the American Dream
JORDAN LARSON: Jenny Brown’s Birth Strike: The Hidden Fight over Women’s Work and Sophie Lewis’s Full Surrogacy Now: Feminism Against Family
MICHAEL ROBBINS: Richard Preston’s Crisis in the Red Zone: The Story of the Deadliest Ebola Outbreak in History, and of the Outbreaks to Come and David Quammen’s Ebola: The Natural and Human History of a Deadly Virus
MALCOLM HARRIS: Daniel Markovits’s The Meritocracy Trap: How America’s Foundational Myth Feeds Inequality, Dismantles the Middle Class, and Devours the Elite