Dec/Jan 2012 Dec/Jan 2012 Archive COLUMNS FEATURES Polymorphous Adversity WILLIAM T. VOLLMANN ON PÉTER NÁDAS’S PARALLEL STORIES The Modern Distemper ROBERT WESTBROOK EXAMINES THE CAREER OF TONY JUDT, ONE OF THE LAST PUBLIC INTELLECTUALS Satellites of Love DENNIS LIM ON HARUKI MURAKAMI’S NOVEL OF COSMIC CHAOS COLUMNS MICHAEL GREENBERG on Germany’s shifting postwar legacy MELANIE REHAK on Mad Men cuisine NATASHA VARGAS-COOPER on Marilyn, Mailer, and money FICTION & POETRY MARJORIE PERLOFF: The Letters of T. S. Eliot, Volume 1: 1898–1922, Revised Edition and The Letters of T. S. Eliot, Volume 2: 1923–1925 EMILY COOKE: Trinie Dalton’s Baby Geisha BENJAMIN STRONG: Adam Johnson’s The Orphan Master’s Son ANGE MLINKO: David Trinidad’s Dear Prudence: New and Selected Poems THOMAS MEANEY: Albert Cossery’s Proud Beggars and The Colors of Infamy; and Hisham Matar’s Anatomy of a Disappearance FIONA MAAZEL: Ben Marcus’s The Flame Alphabet LAURA KIPNIS: Michel Houellebecq’s The Map and the Territory ED PARK: Lars Arffssen’s The Girl with the Sturgeon Tattoo: A Parody and Lawrence Douglas’s The Vices ROZALIA JOVANOVIC: Gary Lutz’s Divorcer JAMES GREER: Kate Zambreno’s Green Girl MONOGRAPHS JULIA BRYAN-WILSON: Francesca Woodman’s Notebook MICHAEL LESY: Ernest Cole: Photographer ALBERT MOBILIO: James Castle: Show and Store SPECIAL SECTION HARI KUNZRU on Raoul Vaneigem’s The Revolution of Everyday Life ANDREW ROSS on the plight of the global precariat SCOTT MCLEMEE on Victor Serge’s dissenting legacy JEFF SHARLET on how the Occupy Wall Street movement discovered its bliss SARAH LEONARD unmasks the financial elite’s intellectual pretensions NONFICTION HEATHER HAVRILESKY: Caitlin Flanagan’s Girl Land DOUGLAS P. FRY: Steven Pinker’s The Better Angels of Our Nature: Why Violence Has Declined MARK POLIZZOTTI: Alastair Brotchie’s Alfred Jarry: A Pataphysical Life ARUNA D’SOUZA: Martha Wilson Sourcebook: 40 Years of Reconsidering Performance, Feminism, Alternative Spaces JAMES RESTON JR.: Jay Rubenstein’s Armies of Heaven: The First Crusade and the Quest for Apocalypse BUZZY JACKSON: Eric Klinenberg’s Going Solo: The Extraordinary Rise and Surprising Appeal of Living Alone SAM QUINONES: Ioan Grillo’s El Narco: Inside Mexico’s Criminal Insurgency JOHANNA FATEMAN: Nile Rodgers’s Le Freak: An Upside Down Story of Family, Disco, and Destiny JESSICA LOUDIS: Michael Lewis’s Boomerang: Travels in the New Third World MEEHAN CRIST: Alison Winter’s Memory: Fragments of a Modern History
The Modern Distemper ROBERT WESTBROOK EXAMINES THE CAREER OF TONY JUDT, ONE OF THE LAST PUBLIC INTELLECTUALS
MARJORIE PERLOFF: The Letters of T. S. Eliot, Volume 1: 1898–1922, Revised Edition and The Letters of T. S. Eliot, Volume 2: 1923–1925
THOMAS MEANEY: Albert Cossery’s Proud Beggars and The Colors of Infamy; and Hisham Matar’s Anatomy of a Disappearance
ED PARK: Lars Arffssen’s The Girl with the Sturgeon Tattoo: A Parody and Lawrence Douglas’s The Vices
ARUNA D’SOUZA: Martha Wilson Sourcebook: 40 Years of Reconsidering Performance, Feminism, Alternative Spaces
BUZZY JACKSON: Eric Klinenberg’s Going Solo: The Extraordinary Rise and Surprising Appeal of Living Alone